Wait… What did I just see?

Do you ever finish watching a series and then just need some time to mentally process everything?

Four weeks after finishing Season 3 of “The Last Kingdom,” I am still formulating my opinions on the series as a whole. I will say that as the show progressed, it became clear that the intended audience is primarily male, which is maybe why I have to say I kept watching in spite of some aspects. But obviously I found it interesting enough to persevere through all three seasons, so I’ve made an effort to break down what exactly kept me hooked.

For those who aren’t familiar with The Last Kingdom, it is based off of a series of novels The Saxon Stories by Bernard Cornwell, tracing the unification of England circa 850-900 A.D. through the eyes of a Saxon-Danish warrior, Uhtred of Bebbanburg. While the protagonist is loosely derived from a real Saxon eaolderman of Northumbria (Uhtred the Bold), his adventures precede those of the historical figure, and thus a large amount of liberty is taken with his character. This makes for a fascinating angle on history, as we follow the fictional Uhtred through the labyrinth of politics and battles that surrounded the reign of Alfred the Great.

From the very beginning, I was struck by the tight writing and plot development.

After the first 58-minute episode, it was too soon for me to be overly invested in the characters, but I had to know what happened next! By about the third episode, however, I’d begun to form an attachment to the protagonist and a couple of minor characters. With time, as I finished the first season and moved on to the second, I realized that my interest in the story was no longer just intellectual curiosity in the plot, but a personal investment in what would happen to the characters.

This is what kept me going as the show became darker and gorier.

I’ll say it—I’m not a fan of blood and gore! In fact, I spend a good deal of time during the battle scenes focusing on my cherry juice and dark chocolate (a great combo for late night snacking, for your information!).

So the show is probably geared toward men, but who cares? Some of the best-developed characters are women (the nun Hild and Lady Aelswith, to name a couple), which also proves that male writers really are capable of portraying complex, believable female characters. In fact, one of the most masterfully depicted elements was how both of these women came to different convictions on how they as Christians should relate to the “heathen,” but valiant, Uhtred. (More on this next week!)

Needless to say, the series illustrated a number of qualities crucial to good historical fiction, and gave me plenty of food for thought… which is why I’ll spend the next few weeks delving into some of those themes and asking for your feedback!

So for now… What do you think are some key elements to a good historical fiction book/show?

What is most likely to make it worth your time?

When you pick up a hist-fic book or show, are you more interested in meeting compelling characters or in the events surrounding those characters?

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