What Makes the Cut?

We’ve all had that experience of watching one of our favorite books turned into a movie, and finding the movie version vastly disappointing.

Hopefully you’ve also had the satisfaction of seeing a good film rendition of a favorite book, but it seems that experience is less common.

Why is that?

I’ve often wondered why it is some movies based on books flop while others don’t. Sometimes it’s the director, the actors, or the screenplay’s deviation from core elements of the book. But it seems there is another factor at work, which can be harder to pinpoint:

What if the book just isn’t movie material?

Here’s a distinction I’d like to make: I do not think that a book’s “filmability” is a fair measure of its value.

For one thing, a book has the freedom to elaborate on the characters, their thoughts, and their backstories in a way that is difficult to visually depict. While the events of the story are usually capable of being portrayed physically, this is harder to achieve with abstract elements or thought processes within a character.

Take Notes from the Underground by Fyodor Dostoevsky (yes, if you read last week’s post, you can tell I’m a Dostoevsky fan): while the novella has enough action that could be visually portrayed, the richness of the story comes from the internal dialogue of the narrator. In fact, if you were to watch everything the main character says and does without hearing his motives, you would completely misinterpret his actions.

On the other hand, some books with complex character motives are compatible with the medium of film. Jane Austen’s Pride and Prejudice and Sense and Sensibility are both rich with three-dimensional characters whose visible actions do not always reveal their intentions—and yet both books have received successful film adaptations more than once. So it must not be solely the complexity of a book’s characters that determines its suitability as a film…

But then what is it?

There are so many possible answers to this question, and I’d really like to know what you think. I certainly don’t have a definite answer. But there is one thing I suspect might play more of a role in our assessment of movie adaptations than we realize: the story’s setting. If you’re any kind of historical fiction or fantasy fan, you probably know what I’m talking about. How many times do we give a movie a chance because it’s set in a different era or place? Isn’t there something about the mystery of another time period or world that piques our curiosity?

I for one admit that I have sat through a number of movies or tried shows whose writing and acting were sub-par, but whose costumes, music, sets, and scenery were elaborate and convincing. And so I wonder: regardless of whether a book is actually well-suited to the screen, isn’t there some part of us that just wants to see the story’s world brought to life? And if the costume and set designers and cinematographers can immerse our senses in that world, are we less likely to mind the cheesy acting and choppy script?

Please let me know your thoughts on this.

Which movie adaptations of books do you think work, and which don’t?

What other factors do you think play a role in whether a book can be translated into film?

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